The Matrix short analysis Essay Example For Students

The Matrix short analysis Essay My favourite film is The Matrix because it is a great all round film the special effects are absolutely brilliant but so is the plot, normally we either have the pleasure of great special effects or a plot, not both of them together, but this film has definitely pulled it off. The matrix is quite a complex film to understand, especially for people who have trouble understanding most films, but I found that if I thought about it, I got it alright. The film will put you into so many different situations quite suddenly which really makes you feel as though you are truly part of the film. We will write a custom essay on The Matrix short analysis specifically for you for only $16.38 $13.9/page Order now Ill start off by explaining what the films about, the matrix is a computer generated world, the world that we live in created by electronic monsters. Humans are merely batteries for them, but the world we live in is created to make us happy. Humans are grown in some sort of cells until ripe for power! The actual story to the matrix is that humans have created a world of technology that they cant control and the technology has taken over, wiping away the world, hence the computer generated one. Then we are introduced to neo (keanu reeves), a computer hacker in his spare time who soon realises that the fbi are interested in him. He is then taken by morpheus (Lawrence Fishbourne)n and is introduced to the Matrix and the technology surrounding it. Morpheus trains Neo with a variety of different training programmes to make him able to cope with the new found world. Neo soon finds out that Morpheus thinks that he is the one who can save the world and battle against the technology that has been created. Neo doesnt believe any of this, but begins to towards the end of the film. Im not going to try and explain any more of this film but I love a film with a good story line and the right amount of action which this film pulls off. The special effects used in this film are absolutely mind blowing. In one scene, and probably the most famous scene, Neo dodges bullets and you see it all in slow motion as the bullets fly past him, also the helicopter scene was absolutely amazing. It all looks real, thats the thing that got to me. Normally in a film, you can tell that its special effects and you dont think too much of it, apart from the usual oh they were good special effects. However, in The Matrix, the special effects are so good, you cant actually see any signs of special effects and if you didnt know they were special effects then you wouldnt know they were. There is also a good soundtrack to the film which adds to the films brilliance. I generally enjoy action films but this is a whole new genre of filming and special effects and a mind bending plot that really does make you wonder. Is the world as we know it controlled by machines, are we kept happy for something we dont know about, what is this world all about and also, is that spoon your holding really there or is it a figment of your imagination?

Overview of Imagism in Poetry

Overview of Imagism in Poetry In the March 1913 issue of the magazine Poetry, there appeared  a note titled Imagisme, signed by one F.S. Flint, offering this description of the Imagistes†: â€Å"... they were contemporaries of the post-impressionists and the futurists, but they had nothing in common with these schools. They had not published a manifesto. They were not a revolutionary school; their only endeavor was to write in accordance with the best tradition as they found it in the best writers of all time - in Sappho, Catullus, Villon. They seemed to be absolutely intolerant of all poetry that was not written in such endeavor, ignorance of the best tradition forming no excuse ...† At the beginning of the 20th century, a time in which all the arts were politicized and revolution was in the air, the imagist poets were traditionalists, conservatives even, looking back to ancient Greece and Rome and to 15th-century France for their poetic models. But in reacting against the Romantics who preceded them, these modernists were also revolutionaries, writing manifestos that spelled out the principles of their poetic work. F.S. Flint was a real person, a poet, and critic who championed free verse and some of the poetic ideas associated with imagism before the publication of this little essay, but Ezra Pound later claimed that he, Hilda Doolittle (H.D.) and her husband, Richard Aldington, had actually written the â€Å"note† on Imagism. In it were laid out the three standards by which all poetry should be judged: Direct treatment of the thing, whether subjective or objectiveTo use absolutely no word that does not contribute to the presentationAs regarding rhythm: to compose in sequence of the musical phrase, not in sequence of the metronome Pound’s Rules of Language, Rhythm, ​and Rhyme Flint’s note was followed in that same issue of  Poetry by a series of poetic prescriptions titled A Few Donts by an Imagiste,  to which Pound signed his own name, and which he began with this definition: â€Å"An ‘image’ is that which presents an intellectual and emotional complex in an instant of time.† This was the central aim of imagism - to make poems that concentrate everything the poet wishes to communicate into a precise and vivid image, to distill the poetic statement into an image rather than using poetic devices like meter and rhyme to complicate and decorate it. As Pound put it, â€Å"It is better to present one image in a lifetime than to produce voluminous works.† Pound’s commands to poets will sound familiar to anyone who has been in a poetry workshop in the near-century since he wrote them: Cut poems down to the bone and eliminate every unnecessary word - â€Å"Use no superfluous word, no adjective, which does not reveal something. ... Use either no ornament or good ornament.†Make everything concrete and particular - â€Å"Go in fear of abstractions.†Do not try to make a poem by decorating prose or chopping it into poetic lines - â€Å"Don’t retell in mediocre verse what has already been done in good prose. Don’t think any intelligent person is going to be deceived when you try to shirk all the difficulties of the unspeakably difficult art of good prose by chopping your composition into line lengths.†Study the musical tools of poetry to use them with skill and subtlety, without distorting the natural sounds, images and meanings of language - â€Å"Let the neophyte know assonance and alliteration, rhyme immediate and delayed, simple and polyphonic, as a musician would expect to know harmony and counterpoint and all the minutiae of his craft ... your rhythmic structure should not destroy the shape of your words or their natural sound or their meaning.† For all his critical pronouncements, Pound’s best and most memorable crystallization of imagism came in the next month’s issue of Poetry, in which he published the quintessential imagist poem, â€Å"In a Station of the Metro.† Imagist Manifestos and Anthologies The first anthology of Imagist poets, Des Imagistes, was edited by Pound and published in 1914, presenting poems by Pound, Doolittle, and Aldington, as well as Flint, Skipwith Cannell, Amy Lowell, William Carlos Williams, James Joyce, Ford Madox Ford, Allen Upward and John Cournos. By the time this book appeared, Lowell had stepped into the role of promoter of imagism - and Pound, concerned that her enthusiasm would expand the movement beyond his strict pronouncements, had already moved on from what he now dubbed â€Å"Amygism† to something he called â€Å"vorticism.† Lowell then served as editor of a series of anthologies, Some Imagist Poets, in 1915, 1916 and 1917. In the preface to the first of these, she offered her own outline of the principles of imagism: To use the language of common speech but to employ always the exact word, not the nearly exact, nor the merely decorative word.To create new rhythms - as the expression of new moods - and not to copy old rhythms, which merely echo old moods. We do not insist on free-verse as the only method of writing poetry. We fight for it as for a principle of liberty. We believe that the individuality of a poet may often be better expressed in free-verse than in conventional forms. In poetry, a new cadence means a new idea.To allow absolute freedom in the choice of subject. It is not good art to write badly about aeroplanes and automobiles; nor is it necessarily bad art to write well about the past. We believe passionately in the artistic value of modern life, but we wish to point out that there is nothing so uninspiring nor so old-fashioned as an aeroplane of the year 1911.To present an image (hence the name: ‘imagist’). We are not a school of painters, but we believe that poetry should render particulars exactly and not deal in vague generalities, however magnificent and sonorous. It is for this reason that we oppose the cosmic poet, who seems to us to shirk the real difficulties of art. To produce poetry that is hard and clear, never blurred nor indefinite.Finally, most of us believe that concentration is of the very essence of poetry. The third volume was the last publication of the imagists as such - but their influence can be traced in many strains of poetry that followed in the 20th century, from the objectivists to the beats to the language poets.

Project Schedule Assignment Example | Topics and Well Written Essays - 500 words

Project Schedule - Assignment Example Following are few types of dependencies that are used on Precedence Diagramming Method (Sanghera 2008):- Requirement Gathering Phase Task 1 and Task 2 must be finished before the Task 3 is started. Thus these tasks have a finish to start relationship. Similarly, Task 3 must be finished before Task 4 and Task 5, again indicating a finish to start relationship. Design Phase Task 4 and Task 5 must be finished before Task 6, indicating a finish to start relationship. Task 7 can start immediately after Task 5 has been finished. Thus it has a finish to start relationship with Task 5 and start to start relationship with Task 6. Development and Testing Phase Task 8 and Task 9 must be started after Task 7 is finished. Thus these have a finish to start relationship. Similarly, Task 10 can start when Task 7 has been finished. Also Task 10 precedes Task 12. All showing a finish to start relationship. Deployment and Testing Phase Task 14 must be started after completion of Task 18. Also Task 12 and Task 14 must be completed prior to starting the Task 15. Also Task 13 and Task 15 must be finished before Task 16 is started. Task 17 must start when Task 12 is finished and Task 8 must be finished before Task 18 is started. All the tasks indicate a finish to start relationship. Project Schedule is shown on the next page in form of Project Network Diagram. The red lines indicated the project critical path while blue lines show dependencies on non-critical paths. The total duration of the project is 192 days. Project Management Institute (2008) defines crashing in its PMBOK as a specific technique for project schedule compression performed, after analyzing and identifying the best compromise between project time and cost, to achieve schedule compression for greatest extent and least increment in cost. For example, if the project has a negative float i.e., estimated